Close-up eyes

Preserve the appearance of the people. Vertical photorealistic photograph in the aesthetic of warm film macro photography, without text or watermarks. The frame is extremely close-up: only the eyes of two people are visible, faces are not discernible or recognizable — the frame shows only the eye area, part of the bridge of the nose, and fragments of the forehead/cheeks, everything else is cropped. Use the input photos strictly only for identity reference, do not change eye color. Plot and composition: two eyes are positioned diagonally, as if people are lying next to each other and looking in different directions; one eye is closer to the upper right corner, the second — closer to the lower left. Very tight cropping, a feeling of intimate close-up. Slight tilt of the frame so that the lines of the eyebrows and eyelids form a diagonal. Both eyes are looking at the camera. Appearance of the eyes: natural eyelashes, soft shadows from the eyelids, sharp highlights in the pupils. Eyebrows are natural, individual hairs are discernible. Light and color: warm soft light from the side, smooth transitions, without harsh glare. Color correction "film": warm beige-caramel midtones, slightly muted colors, soft contrast. Texture and style: pronounced film grain throughout the frame, light vignette, barely visible dust/scan specks, soft sharpness without digital "over-sharpening". Fine details (eyelashes, eyebrows, highlights in the eyes) in focus, the rest can be slightly softer. Technical: feeling of macro/very close-up shot, 50–85mm look (or macro lens), shallow depth of field, focus strictly on the irises. High realism, no extraneous objects, no logos, 9:16 aspect ratio.